Have Skittles, will travel.

Via Lehigh Valley:

Trayvon Martin has often been in the thoughts of playwright and activist Rajendra Ramoon Maharaj in the four years since the 17-year-old unarmed black boy was shot and killed after a confrontation with neighborhood watchman George Zimmerman.

He has wondered about Martin’s dreams, his life and the moments before he died.

Maharaj has channeled those thoughts into a two-hour play debuting Thursday at Philadelphia’s New Freedom Theater.

“The Ballad of Trayvon Martin,” co-written with Thomas Soto, explores the idea of the dangerous consequences for black boys and men of being perceived as a threat through the lens of Martin, whose death in Sanford, Florida, on Feb. 26, 2012, was a galvanizing event for many black Americans and seen by some as the nascent origins of the Black Lives Matter movement underway across the country.

Maharaj wrote the play six months after Zimmerman was acquitted of Martin’s death in 2013.

“My grandmother would say, ‘There are things that are put on you and they never go away,'” Maharaj said in an interview with The Associated Press. “That was something that was put on me. It angered me so deeply, and I just didn’t know what to do. We’re left with the question of, How do we move ahead and make sure Trayvon’s death is not in vain? The theater is a great place where we can do that. For me, it’s the great equalizer.”

The star’s message to the audience: Feel me. See me. Don’t shoot me.[…]

In one scene, Martin asks Till, “Will there be others?” Till responds, “Listen,” as the cast speaks the names of those who have died before and after him.

“The struggle continues,” Maharaj says. “Trayvon Martin has been a rallying call that we have a lot of work to do in this country. That generation did not let go of Emmett Till. That’s what the Black Lives Matter movement is doing, stirring something that has been there.”

“The Ballad of Trayvon Martin” runs through May 22.